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The Church . . . take a look inside the Abbey

Below is a look at some of the more interesting and historical features within the Abbey - we do hope you will visit us in person to look around or to simply spend some time in quiet reflection and prayer.  The church is open Wednesday, Thursday and Friday from 2.00pm to 4.00pm during July and August - or we will be happy to host groups of visitors - please contact the Parish Office to discuss arrangements.

The oldest part of the present church, The Tower, dates from the 14th century; its octagonal spire, and two-storey external staircase to the left of the tower was raised in 1693.  The nave, transepts and chancel are of the 19th century. 

When St Comgall’s Parish Church (Hamilton Road) was built in 1882 the Abbey was “forsaken” (Rankin); though Lavens Ewart noted in 1886, “The old church is carefully preserved and is used as a mortuary chapel, and for occasional children’s services” – a curious combination of functions.

Bangor Abbey and Graveyard (photo Derek Dunn)

Due to the an increasing population, Bangor Abbey was brought back into use in 1917, and was reconstituted a parish church in 1941.  Extensive renovations and alterations took place in 1960 and to a lesser extent again in 1995, under the supervision of Hobart and Heron.

The main entrance into the church is through the West Door into the porch underneath the Tower where may be found a number of interesting historic memorials. 

Anglo-Norman Stones

Just inside the doorway in the porch may be seen two interesting Anglo-Norman stones which were uncovered in the grounds of the Abbey graveyard.

In 1899, when digging a new grave, the then sexton, William Magowan  turned out a small cross-incised slab 13 inches long by 8 inches wide, the cross being deeply incised in an elaborate manner. 
The cross is of an early pattern and is incised about a quarter of an inch deep, and might date from the eleventh or twelfth century.
 

Anglo-Norman Stone (photo Bob Torrens)

Also dug up in the graveyard was the large floriated cross-slab which measures 32 inches by 14 inches, the cross being deeply incised in an elaborate manner.  Unfortunately, a portion of the side has been cut away, but the graceful fleur-di-lis ends will be observed.  At the base, the head of a pair of shears can be seen; and this is commonly understood as indicating a woman’s monument.

Stennors Stone

Through the old arch and before the door leading to the 'Ladies Choir Vestry' may be found a monument to William Stennors, master mason, who may have been responsible for the building of Hamilton’s church now stands in the entranceway into what was the old ‘Ladies Choir Vestry’.  The stone records the death of William Stennors, master-mason, who died in 1626; also that of his wife, Efon Watson and displays the tools of the masons trade with a shield bearing the well known emblems of a compass, a mallet, and a square.

Stennors Stone - detail (photo Bob Torrens)

Stennors Stone (photo Bob Torrens)


Stevenstome Stone (photo Bob Torrens)


Stevenstone Stone


Opposite the Stennors Stone is another interesting monument recording the death of William Stevenstone bears two shields upon it, now much worn, one of which doubtless depicts his wife’s arms, and gives her initials as E. E..  The centre portion of the stone bears a rhyming inscription, recording how the deceased had lost his wife at “Walter shore” (Ballywalter), but under what circumstances it does not say.  The inscription reads:

HEIR LYES A WORTHY GENTLEMAN WILLIAM STEVNSTONE YOUNGER WHO DEPARTED THIS LYFE DECEMBER 1629 BEING OF AGE 27 YEARES

THIS CORPS I LEFT AT WALTER SHORE MY SOULE NOW BATHES IN FLODES OF GLOR NO TEMPEST TOSE NO DEEPS CAN DROUNE NO DEATH CAN REAVE THAT PURCHASD CRUNE
I DIED IN CHRYST WITH CHRYST I REST CHRYST WAS MY HOPE MY GAINE MY BODIE HEIR IN GRAVE DOTH LYE IN GRAVE NOT TO RMAIN

Bradeshaw Stone

In the tower is the oldest tombstone in the church -  that of Thomas Bradeshaw, who died in 1620 and was buried in the ruins of the old abbey (just at the time Lord Clandeboye was making arrangements for building of the then new church).  The inscription records that Thomas Bradeshaw was “some tyme baillie of Bangor”.  The term ‘Baillie’ was most likely the Scottish magisterial office.  The lettering is raised, and the sculpture deeply cut in a remarkable manner.  The centre panel is occupied with three figures, surmounted by the initials of each:  the first, T. B. (Thomas Bradeshaw); the second his wife, A. R.; and the third, his daughter, A. B.   These effigies are doubtless a survival of the old full length recumbent figures.  The Jacobean costume will be noted – the thin waists and the ruffs, and the ‘Baillie’ with his cap.  The more modern skull and cross-bones fill the lower portion of the stone, together with two roses and a heart, which doubtless have some heraldic significance.  Unfortunately portions of the lettering are worn away – the remaining inscription reads:
 

BLESSED ARE THE DEAD WHICH DIE IN THE LORD FOR THEY REST FROM THEIR LABOURS AND THEIR WORKS .HEIR LYIS THOMAS BRADESHAW SOME TYME BAILLIE IN BANGOUR WHO DEPARTED THIS LIFE THE SIXTH OF IANUARIE 1620 .MEMENTO MORI


Bradeshaw Stone (photo Bob Torrens)

The Rathgael Drum (photo Bob Torrens)

The Rathgael Drum

Above the Bradeshaw Stone now hangs the 'The Rathgael Drum', a reminder of the troubled times of the 1798 rebellion.

James Dowsett Rose-Cleland of Rathgael raised the Rathgael Yeoman Infantry, mainly composed of Orange yeomanry of the district, at his own expense in 1798.

Yeomanry under his command fought at the battles of Saintfield and Ballynahinch.  The drum has the names of these battles inscribed on it.

 

Cleeland and Anesley Stones

A stone set into the north wall records the erection of the spire in 1693 with the inscription:

THIS STEEPEL WAS RAISED ANNO 1693 Jo BLACKWOOD Jo CLEELAND CHURCH WARDENS

Another, in the south wall, records the benefaction of Francis Anesley in the same year.  The inscription reads:

FRANCIS ANESLY GAVE TOWARD RAISING OF THIS STEEPLE 5 POUNDS 1693

Blackwood & Cleeland Stone (photo Gifford Savage)
 

James Hamilton and Sophia Mordaut Memorial

Ascetically, the finest monument in the church is that by Scheemakers to James Hamilton and his wife Sophia Mordaut, erected “in accordance with the will of their eldest daughter, Ann, who died May 17, 1760”.  Sheemakers was born in Antwerp in 1691. He came to England, and established himself in St Martin’s Lane. He excelled in busts, three of which by him are in Westminster Abbey, where there is also carved by him, a monument to Shakespeare. There is also a bronze of Edward VI in Guy’s Hospital, and many statues in Stowe Gardens. He died in 1769.

Potterton says it “is of a type often repeated by Sheemakers, with a seated female figure of Religion holding an open book, and medallion portraits of the deceased”.  On a medallion are depicted the two heads in profile, against which is leaning a cherub with inverted torch, whilst a female figure with a book is shown in reverent attitude. A shield of arms – Hamilton impaled with Mordaunt, and the crest of the latter family – surmounts the whole.

Hamilton & Mordaut Memorial (photo Bob Torrens)

The inscription reads:

"Sacred to the memory of JAMES HAMILTON of BANGOR Esq Descended from the Family of the Lords of CLANDEBOY, and of SOPHIA MORDAUNT his consort Daughter of JOHN Ld Vict. MORDAUNT & Granddaughter to the Earl of PETERBOROUGH and to the Earl of MONMOUTH This Monument (as an act of Filial Piety) was Erected pursuant to the Will of ANN their Eldest Daughter (Relict of MICHEAEL WARD Esq late a Justice of the King’s Bench in IRELAND) who departed this life in DUBLIN on the 17th  day of May 1760
The present Earl of CLANBRASSILL is descended from a younger branch of this Family."

Passing through the double doors the view opens up into a spacious cross shaped church with its Tudoresque roof and screen in similar style between the nave and the porch in the base of the tower. 

Bangor Abbey - East End (photo Adrian McLaughlin)

Abbey Church - looking towards the East End

[click on parts of the picture above for more detail on :  The Sanctuary, The Mural and The Pulpit ]

Bangor Abbey Font (photo Bob Torrens)


Baptismal Font

Because Holy Baptism is a sign of entering into the Christian life the font is often – as in Bangor Abbey – found near to the door of the church.  As you enter through the West Door the font is on your right-hand side. 

The font in Bangor Abbey dates from 1917.

The Baptismal Font is used to hold water for the Sacrament of Baptism (often called a Christening Service).  Water is poured over the baby or adult three times in the name of the Father, Son and Holy Spirit, as they are given the gift of the Holy Spirit, a Christian name and are received into the Church. 

Set into the wall at the West End of the church may be found a number of interesting and historic memorials:

Beatrix Hamilton Memorial

Beatrix Hamilton is believed to have been the first wife of Robert Blair, minister at Bangor at the time of her death.

The earliest of the Hamilton memorials the stone has no heraldic or other sculpture whatever, however, the inscription is quaint and poetic.

The Beatrix Hamilton Stone (photo Bob Torrens)

The inscription reads: 
 

BEATRIX HAMILTON OBIIT ANNO MDCXXXIII OCTOB XIX AETAT SUAE XXVII MOERENS MARITVS CONDIDIT

THE BODIE OF BEATRIX HEER BELOW IN HOPE OF GLORIE DOTH NOW SWEETLY REST HER SOVLE HATH SOARD WHER FLOODS OF JOY DOE FLOW OF SION THATS ABOVE A GLORIOVS GVEST WHER CHRYSTAL STREAMS WHER GOLDEN GLANCING STREETS ENJOY A CONSTANT DAY WITHOUT A NIGHT WHER IASPER WALS WHER PORTS OF PEERRLESS PEARLE EMBRODRED ARE WITH THE LAMBS SHYNING LIGHT THITHER I GOE SHE SAID THIS BODIE FRAILE SHAL SHORTLY IN MY COFIN SWEETLY REST ONSE SWEET TO THE BOT NOW TO CHRIST. FAREWELL WEL MEET I FVLLY HAVE WHOM I LOVE BEST O BLESSED COVENANT AVEENE FOR AY WHO WAS BVT A POORE THING EEN YESTERDAY

 

The Blackwood Stones

The first stone commemorates John Blackwood of Ballyleidy, and the other is to the memory of James Blackwood, merchant and Provost of Bangor.

The inscriptions read: 

HERE LYETH THE BODY OF MR JOHN BLACKWOOD OF BALLYLEIDY WHO DEPARTED THIS LIFE THE 11TH OF JULY 1720 ANNO AETATIS 58 HERE LYETH THE BODY OF MRS ANN BLACKWOOD WIDW WHO DEPARTED THIS LIFE THE 12TH SEPD 1741 ANNO AETATIS 68

 

HERE LIES [BROKEN] BLACKWOOD MERCHANT LATE PROVOST OF BANGOR WHO DEPARTED THIS LYFE THE 22 OF MAY 1663 AND OF AGE 72 HERE LYES A MAN WHO LIVD OF LATE INTO A FLOORISHING ESTATE YET WAS IT HIS GLORY THAT THERBY HIMSELF HE DID NOT MAGNIFY A SOBER IVST AND [UNREADABLE] MAN AND THOVGH HIS LIFE WAS BVT A SPAN YET IT SO BLAMELES WAS THAT HE DESERVES A LASTING MEMORIE

Blackwood Stone (photo Bob Torrens)

Memorial - James Hamilton - Provost of Bangor (photo Bob Torrens)

James Hamilton - Provost of Bangor Memorial

Memorial stone to James Hamilton, died 1649, a merchant, and Provost of Bangor.

HERE LYETH THE BODY OF JAMES HAMILTON MERCHANT SOME TIME PROVOST OF BANGOR WHO DEPARTED THIS LYFE 21 IANUARY 1649
DEATH LAYD HIM LOW WHO WAS OF LATE THE PROVOST OF THIS CITY STATE WHO SO BECOMING HIS STATION ADORNED IN HIS GENERATION  WHO SO DID LIVE APPROVED OF AL AN THING WHICH DOTH TO FEW BEFAL AND SOME MAY SAY HE HAD AN HEART MOST CHEERFUL FOR TO IMPART TO THOSE IN DESTRES SO THAT THEY FROM HIM REJOYCING WENT AWAY

Carey Memorial

A memorial to James Albert Carey may be seen mid-way down the nave on the South wall.

James Carey was a Precenter of Down and Rector of Bangor 1916-1925; he inspired people to renovate and restore the Abbey church in 1917. 

Carey died in 1925.

Carey Memorial (photo Gifford Savage)

 

Dean Gibson Memorial (photo Bob Torrens)

Dean Gibson Memorial

A memorial to Dean John Gibson may be seen mid-way down the nave on the North wall.

Gibson the was brought over from Scotland in 1609 by Sir James Hamilton.

He became the first Dean of Down under the new Charter of King James. 

 

The West End

The West End of the Church was extensively altered during the 1959/60 renovation.

The photographs below give some indication of how the church looked before renovation - and how it looks today. 
  [click on the organ in the picture below for a closer look]

Abbey Church - West End 1958 (photo Leslie Cummings)

Abbey Church - West End 2008 (photo Adrian McLaughlin)

 


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